January 12 - March 11, 2001
Corruption in Art: Fakes, Forgeries,
Misrepresentations, and Misunderstandings
Opening Reception February 10

Publications authored by the speaker:

Bibliography of resources related to this event:
The Colgate Libraries own, or can provide access to, the following selected articles and books in the English language relevant to this event. An on campus network connection is necessary for many of the links to articles.

Articles  |  Books

Books
Nobili, Riccardo. The Gentle Art of Faking: a history of the methods of production imitations and spurious works of art from the earliest times up to the present day. London: Seeley, Service & Co., 1922. 
CASE Main 709 N66

Burroughs, Alan. Art Criticism from a Laboratory. Boston: Little, Brown and Co., 1938. 
CASE Main N7435 .B8

Yates, Raymond F. Antique Fakes and their Detection. New York: Harper, 1950. 
CASE Main 708.054 Y25a

Aranu, Frank. The Art of the Faker: three thousand years of deception. Boston: Little Brown, 1961. 
CASE Main N8790 .A76 1961

Fleming, Stuart James. Authenticity in Art: the scientific detection of forgery. London: The Institute of Physics, 1975. 
CASE Main N8790 .F57 1975

Voelkle, William M. The Spanish Forger. New York: Pierpont Morgan Library, 1978. 
CASE Main ND1660.V6

Dutton, Denis, ed. The Forger's Art: forgery and the philosophy of art. Berkeley: University of California Press, 1983. 
CASE Main N8790 .F67 1983

Wright, Christopher. The Art of the Forger. New York: Dodd, Mead, 1984. 
CASE Main ND553.L28 A648 1985

Jones, Mark, ed. Why Fakes Matter: essays on problems of authenticity. London: British Museum Press, 1992. 
CASE Main N7890 .W49 1992

Conklin, John E. Art Crime. Westport, CT, 1994. 
CASE Main N8795 .C66 1994

Hoving, Thomas. False Impressions: the hunt for big-time art fakes. New York: Simon & Schuster, 1996. 
CASE Main N8790 .H68 1996

Kirsh, Andrea, and Rustin S. Levenson. Seeing through Paintings: physical examination in art historical studies. New Haven: Yale University Press, 2000. 
CASE Main ND1635 .K57 2000

Tietze, Hans. Genuine and False: copies, limitations and forgeries. New York: Chanticleer Press, [1948]. 
CASE Main 708 T44

Mendax, Fritz. Art Fakes and Forgeries. Translated by H.S. Whitman. New York: Philosophical Library, [1956]. 
CASE Main N8790 .M413 1956

Schüller, Sepp. Forgers, Dealers, Experts: strange chapters in the history of art. Translated by James Cleugh. New York: Putnam, [1960]. 
CASE Main N8790 .S333

Schmitt, Heinrich. Three Thousand Years of Deception in Art and Antiques. Translated by J. Maxwell Brownjohn. London: J. Cape, [1961]. 
CASE Main 708.054 Sch55k

Kurz, Otto. Fakes. 2nd ed. New York: Dover Publications, [1967].
CASE Main N8790 .K8 1967

Goodrich, David L. Art Fakes in America. New York: Viking Press, [1973]. 
CASE Main N8790 .G63 1973

Articles
"Ayatollah's Qom money (fraudulent bidding in a major sale of Islamic art at Sotheby's London)." ARTNews 82, Apr (1983): 11. 
CASE Journals

Chamberlain, B. "Controlling sculpture fakes." Sculpture Review 31, no. 4 (1983): 7+. 
CASE Journals

Reuben, Abel. "The forger's art: forgery and the philosophy of art." The Journal of Aesthetics and Art Criticism 42, Spring (1984): 330-3332. 
CASE Journals

Kennick, W.E. "Art and inauthenticity." The Journal of Aesthetics and Art Criticism 44, Fall (1985): 3-12. CASE Journals

Horgan, John. "But is it art? Science can both deepen and resolve issues of authenticity." Scientific American 257, Oct. (1987): 48-49+. 
Cooley Journals T1 .S5 
Cooley Microfilm Journals T1 .S5

Cebik, L.B. "On the suspicion of an art forgery." Journal of Aesthetics and Art Criticism 47, no. 2 (1989): 147-156. 
CASE Journals

Jones, Mark. "Facing up to fakes." The Burlington Magazine 131, June (1989): 423-424. 
CASE Journals

"Truth about fakes." Apollo 132, no. 1050 (1990): 615. CASE Journals

Bennett, Anna. "Simple science in the service of authentication and attribution." Apollo 131, no. 337 (1990): 179-181. 
CASE Journals

Lowenthal, David. "Forging the past." Apollo 131, no. 337 (1990): 152-157. 
CASE Journals

Spier, Jeffrey. "Blinded with science: the abuse of science in the detection of false antiquities." The Burlington Magazine 132, Sept. (1990): 623-31. 
CASE Journals

Reynolds, Graham. "Auctioneers, dealers, Constables and crooks: a vindication of William White Warren." Apollo 135, no. 364 (1992): 367-372. 
CASE Journals

Craddock, Paul T. "The detection of fake and forged antiquities." Chemistry and Industry, July 7 1997, 515-519. 
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Harrington, Specer P.M. "The China syndrome." ARTNews 97, no. 9 (1998): 134-139. 
CASE Journals

Bierma, Paige. "Law and borders." ARTNews 98, no. 5 (1999): 78.
CASE Journals

Bowden, R. "What is wrong with an art forgery? An anthropological perspective." Journal of Aesthetics and Art Criticism 57, no. 3 (1999): 333-343. 
CASE Journals

Mary Jane Walsh
08/31/2005